Horror Fiction Ebooks

A Today Show #ReadwithJenna Book Club Pick This instant New York Times bestseller that is “captivating in every sense of the word” (Sarah Pearse, New York Times bestselling author) follows a group of researchers uncovering a mysterious deck of tarot cards and shocking secrets in New York’s famed Met Cloisters. When Ann Stilwell arrives in New York City, she expects to spend her summer working as a curatorial associate at the Metropolitan Museum of Art. Instead, she finds herself assigned to The Cloisters, a gothic museum and garden renowned for its medieval art collection and its group of enigmatic researchers studying the history of divination. Desperate to escape her painful past, Ann is happy to indulge the researchers’ more outlandish theories about the history of fortune telling. But what begins as academic curiosity quickly turns into obsession when she discovers a hidden 15th-century deck of tarot cards that might hold the key to predicting the future. When the dangerous game of power, seduction, and ambition at The Cloisters turns deadly, Ann becomes locked in a race for answers as the line between the arcane and the modern blurs. A haunting and magical blend of genres, The Cloisters is a “masterwork of literary suspense that surges to an otherworldly conclusion” (Mark Prins, author of The Latinist).

Finalist for the 2022 National Book Award in Translated Literature! “Was desire something like being possessed by a nightmare?” Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise? When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality. Interweaving pop culture references and horror concepts drawn from from Herman Melville, H. P. Lovecraft, and anonymous “creepypastas,” Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.

This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder. Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it. When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted the nation for years: was Hale a lunatic, or had he been telling the truth all along? The first-person narrative reveals an acerbic young atheist, newly enrolled at the University of Edinburgh to carry on the legacy of his recently deceased father. In need of cash, he takes a job ghostwriting a mysterious book for a dark stranger—but he has misgivings when the project begins to reawaken his satanophobia, a rare condition that causes him to live in terror that the Devil is after him. As he struggles to disentangle fact from fear, Grayson’s world is turned upside-down after events force him to confront his growing suspicion that he’s working for the one he has feared all this time—and that the book is only the beginning of their partnership. “A modern-day Gothic tale with claws” (Jennifer Fawcett, author of Beneath the Stairs), A History of Fear marries dread-inducing atmosphere with heart-palpitating storytelling.

The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility. Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.” Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.

From the New York Times bestselling author of The Drowning Kind comes a genre-defying novel, inspired by Mary Shelley’s masterpiece Frankenstein, that brilliantly explores the eerie mysteries of childhood and the evils perpetrated by the monsters among us. 1978: At her renowned treatment center in picturesque Vermont, the brilliant psychiatrist, Dr. Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she’s home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love. Then one day Gran brings home a child to stay with the family. Iris—silent, hollow-eyed, skittish, and feral—does not behave like a normal girl. Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they dream up ways to defeat all manner of monsters. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere. 2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She’s determined to hunt it down, because Lizzy knows better than anyone that monsters are real—and one of them is her very own sister. “A must for psychological thriller fans” (Publishers Weekly, starred review), The Children on the Hill takes us on a breathless journey to face the primal fears that lurk within us all.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet. Janet lies murdered beneath the castle stairs, attired in her mother’s black lace wedding dress, lamented only by her pet jackdaw… ​Author Elspeth Barker masterfully evokes the harsh climate of Scotland in this atmospheric gothic tale that has been compared to the works of the Brontës, Edgar Allan Poe, and Edward Gorey. Immersed in a world of isolation and loneliness, Barker’s ill-fated young heroine Janet turns to literature, nature, and her Aunt Lila, who offers brief flashes of respite in an otherwise foreboding life. People, birds, and beasts move through the background in a tale that is as rich and atmospheric as it is witty and mordant. The family’s motto—Moriens sed Invictus (Dying but Unconquered)—is a well-suited epitaph for wild and courageous Janet, whose fierce determination to remain steadfastly herself makes her one of the most unforgettable protagonists in contemporary literature.

A captivating collection of ghost stories from “one of the most gifted writers working today” (New York Times), Night Side of the River  is as ingeniously provocative as it is downright spooky. In this delightfully chilling collection, the iconic Jeanette Winterson turns her fearless gaze to the realm of ghosts, interspersing her own encounters with the supernatural alongside hair-raising fictions. Lifting the veil between the living and the dead, Winterson spirits us away to a haunted estate that ensnares a nomadic young couple in its own dark past, a staged immersive ghost tour gone awry, a West Village séance that threatens the bounds between AI and reality, and a vacation home in the metaverse where a widow visits an improved version of her deceased husband. Gloriously gothic and unnervingly contemporary, Winterson examines grief, revenge, and the myriad ways in which technology can disrupt the boundary between life and death.

SOON TO BE A MAJOR MOTION PICTURE FROM NETFLIX AND ACADEMY AWARD-WINNING DIRECTOR KATHRYN BIGELOW “Fantastic story, a real page-turner. Impossible to put down." – Stephen King From the author of Cold Storage comes a riveting, eerily plausible thriller, told with the menace and flair of Under the Dome or Project Hail Mary, in which a worldwide cataclysm plays out in the lives of one complicated Midwestern family.  In Aurora, Illinois, Aubrey Wheeler is just trying to get by after her semi-criminal ex-husband split, leaving behind his unruly teenage son.  Then the lights go out—not just in Aurora but across the globe. A solar storm has knocked out power almost everywhere. Suddenly, all problems are local, very local, and Aubrey must assume the mantle of fierce protector of her suburban neighborhood.  Across the country lives Aubrey’s estranged brother, Thom. A fantastically wealthy, neurotically over-prepared Silicon Valley CEO, he plans to ride out the crisis in a gilded desert bunker he built for maximum comfort and security. But the complicated history between the siblings is far from over, and what feels like the end of the world is just the beginning of several long-overdue reckonings—which not everyone will survive . . .  Aurora is suspenseful storytelling—both large scale and small—at its finest. 

From the author of the “dark and devious...beautifully written” (Stephen King) Mirrorland comes an “atmospheric, thrilling, and utterly captivating” (Booklist) gothic tale set on a remote Scottish island where the locals are hiding a deadly secret. Maggie Mackay has been haunted her entire life. No matter what she does, she can’t shake the sense that something is wrong with her. And maybe something is… When she was five years old, Maggie announced that a man on the remote island of Kilmeray in Scotland’s Outer Hebrides—a place she’d never visited—was murdered. Her unfounded claim drew media attention and turned the locals against each other, creating rifts that never mended. Now, nearly twenty years later, Maggie is determined to discover what really happened, and what the villagers are hiding. But everyone has secrets, and some are deadly. As she gets closer to the horrifying truth, the island’s legendary and violent storms begin to rage again and Maggie’s own life is in danger… Unnerving, enthralling, and filled with gothic suspense, The Blackhouse is a spectacularly sinister tale readers won’t soon forget.

An IndieNext Pick! A Best Book of 2022 in Harper’s Bazaar, Daily Mail, Glamour, and Thrillist! Most Anticipated of 2022 in The Millions, Ms. Magazine, LitHub A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch. Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated. Then there are the humans - the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for - perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry - always hungry. As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans - if she is to find a way to exist in the world. Before any of this, however, she must eat. “Absolutely brilliant – tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch. The spell this novel casts is so complete I feel utterly, and happily, bitten.” -- Ruth Ozeki, Booker-shortlisted author of A Tale for the Time Being

She saw The Raven in her dreams. Now her life's a nightmare. No matter how hard she tries, Rebekah just doesn't fit in at her prestigious Ivy League prep school. The cruel, privileged students ridicule and bully her on a daily basis. And instead of standing up for herself, Rebekah retreats into a dark, unsettling world of nightmarish visions . . . In her dreams, a cloaked figure named The Raven gives her a chance to turn the tables on her tormentors, and exact bloody revenge. At first, she secretly relishes the power, but then Rebekah discovers her dreams have terrifying consequences: The Raven's brutal revenge is real. Ripped straight from the pages of Edgar Allan Poe, The Raven unlocks deep truths about humanity and tackles self-worth, morality, and the pain of doing what's right at all costs. "Edgar Allan Poe's poem, 'The Raven,' is used in such a creative manner . . . adds to the mystery." –Screencraft Fans of Edgar Allan Poe and Urban Legend will love this "unexpected" tale. (Screencraft)

From acclaimed author Ai Jiang, follow Wenqi, Liam, and Mrs. to the mysterious town of HOME, a place where the dead live again as spirits, conjured by the grief-sick population that refuses to let go. This edition includes a foreword by Yi Izzy Yu, Translator of The Shadow Book of Ji Yun, the essay "A Ramble on Di Fu Li

An anthology of original new horror stories edited by Bram Stoker Award winners Vince Liaguno and Rena Mason that showcases authors from underrepresented backgrounds telling terrifying tales of what it means to be, or merely to seem, “other” Offering original new stories from some of the biggest names in horror as well as some of the hottest up-and-coming talents, Other Fears will provide the ultimate reading experience for horror fans who want to celebrate fear of “the other.” Be they of a different culture, a different background, a different sexual preference, a different belief system, or a different skin color, some people simply aren’t part of the dominant community—and are perceived as scary. Humans are almost instinctively inclined to fear what’s different, as foolish as that may be, and there are a multitude of individuals who have spent far too long on the outside looking in. And the thing about the outside is . . . it’s much larger than you think. In Other Fears, horror writers from a multitude of underrepresented backgrounds will be putting a new, terrifying spin on what it means to be “the other.” People, places, and things once considered normal will suddenly appear different, striking a deeper, much more primal, chord of fear. Are our eyes playing tricks on us, or is there something truly sinister lurking under the surface of what we thought we knew? And who among us who is really of the other, after all?

Shortlisted for the 2022 Atwood Gibson Writers' Trust Fiction Prize • Winner of the 2023 ReLit Award for Fiction • Longlisted for the 2024 Dublin Literary Award Homage to Jean Genet’s antihero and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of the Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge. As a millworkers’ strike in the northern lumber town of Roberval drags on, tensions start to escalate between the workers—but when a lockout renews their solidarity, they rally around the mysterious and magnetic influence of Querelle, a dashing newcomer from Montreal. Strapping and unabashed, likeable but callow, by day he walks the picket lines and at night moves like a mythic Adonis through the ranks of young men who flock to his apartment for sex. As the dispute hardens and both sides refuse to yield, sand stalls the gears of the economic machine and the tinderbox of class struggle and entitlement ignites in a firestorm of passions carnal and violent. Trenchant social drama, a tribute to Jean Genet’s antihero, and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of France’s Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge.

“Paul Tremblay delivers another mind-bending horror novel . . . The Pallbearers Club is a welcome casket of chills to shoulder.” – Washington Post “Uncertainty is Tremblay’s stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.” – Esquire “[A] deliciously confusing thriller.” – Weekend Edition (NPR) A cleverly voiced psychological thriller from the nationally bestselling author of The Cabin at the End of the World and Survivor Song. What if the coolest girl you’ve ever met decided to be your friend? Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right? Decades later, Art tries to make sense of it all by writing The Pallbearers Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts. Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unusual and disconcerting relationship.

A Bram Stoker Award nominee “Some of the best survival horror we’ve read in years, with a uniquely menacing adversary at its heart.” —Vulture, The Best Horror Novels of 2022 “Epic.” —Esquire, The 22 Best Horror Books of 2022 Something deadly and mysterious stalks the members of an isolated polar expedition in this haunting and spellbinding historical horror novel, perfect for fans of Dan Simmons’s The Terror and Alma Katsu’s The Hunger. In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers. When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn maps of the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them. In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape… As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.